!±8± Bach Edition: Complete Works (155 CD Box Set)
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Globally recognized as the ONLY authoritative edition
of Bach's works NOW AVAILABLE at a NEW
competitive price - a celebration of a lifetime's work
- and sought-after throughout the World hänssler
CLASSIC's Complete Works of Bach, produced in
cooperation with the International Bach Academy.
172 CDs - recorded under the direction of Professor
Helmuth Rilling from 1975 to 2000!
Helmuth Rilling was awarded the Grand Prix du
Disque for his landmark recordings of cantatas and
they now enjoy benchmark status. They feature the
great names of the singing world: including Arleen
Augér, Julia Hamari, Aldo Baldin, Dietrich Fischer-
Dieskau, Wolfgang Schöne, Peter Schreier, Andreas
Schmidt accompanied by Gächinger Kantorei, Bach
Collegium Stuttgart, Helmuth Rilling and others.
172 CDs - over 175 hours
1 CD-ROM with 5000 page eBook
(includes all song texts, introductions,
and biographical notes)
2 books with BWV- (288 pages) and
CD- (144 pages) number listing and
additional information
includes the complete:
Chamber Music, Cantatas,
Orchestral Works,
Passions & Oratorios,
Chorales & more.
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This unique, limited-edition boxed set offers 50 CDs of the greatest choral masterpieces of the past 500 years, stretching from Renaissance Masses and the glories of the Baroque and Classical eras through to the major works of the Romantic era and the diversity of the 20th and 21st centuries, all in some of the greatest recordings ever committed to disc.
Western art music owes its very existence to the church: harmony and multi-stranded polyphony derive from the work of church musicians working across Europe 500 years ago, seeking either to expiate sins or glorify and magnify the Almighty with praises: hence the title `Magnificat'.
The performances include an array of stellar artists in exceptional - even legendary - recordings from two of classical music's greatest labels, Decca and Deutsche Grammophon. Citing just some: John Eliot Gardiner's definitive Bach B Minor Mass, and St John Passion, famed Monteverdi Vespers and Brahms Requiem readings; Peter Schreier's Award-winning Mozart Requiem; Paul McCreesh's Haydn Creation and Schütz Vespers; Giulini's Rossini Stabat Mater; Solti's incandescent Verdi Requiem and Mahler Symphony No. 8; Christopher Hogwood's incisive period-instrument Messiah; the acclaimed Walton Belshazzar's Feast with Bryn Terfel; Britten's own definitive War Requiem and Bernstein's interpretation of his Chichester Psalms among many others. Sung texts - including a translation into English where appropriate - are included on a special bonus CD
A 160-page booklet offers detailed tracklistings, full artist and production information including details on recording dates and venues and producers. A 4000-word essay by noted choral music writer Andrew Stewart is provided in English, French and German.
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Although Argerich has participated in numerous musical partnerships, not to mention her longtime mentoring of young artists, her associations with violinist Gidon Kremer and cellist Mischa Maisky are surely among the pianist's most substantial and musically rewarding collaborations. The present collection includes all of the Argerich/Kremer and Argerich/Maisky duo recordings for Deutsche Grammophon as originally released and in chronological order, allowing listeners the opportunity to trace each duo's evolution in terms of artistic rapport, sensitivity, risk-taking and the fine tuning of nuance.
Any discussion of Beethoven's violin sonatas (CDs 1, 4, 9 & 10) must address the fact that the composer did not designate these works as being "for violin and piano". For example, the first published edition of the "Spring" Sonata op. 24 from October 1801 reads "Sonate pour le Piano Forte," in large letters, followed in smaller print by "avec un Violon." Similarly, the title-page of the first edition of the "Kreutzer" Sonata op. 47 from April 1805 reads "Sonata per il Piano-forte ed un Violino obligato." None of this should be taken to mean that the violin writing plays "second fiddle" to the piano part, so to speak, but rather that both instruments carry equal weight within the musical discourse.
Argerich and Kremer understood this from the start of their recorded Beethoven encounters, originally intended as part of a series encompassing all the violin sonatas, the music for cello and piano with Maisky, plus the five piano concerti with Giuseppe Sinopoli and the Philharmonia Orchestra (in the end, Argerich and Sinopoli recorded only the First and Second Concertos). Initially Argerich expressed apprehension about recording Beethoven, lest her readings might sound self-conscious under the microphone's objective, unforgiving scrutiny. Yet, during an interview conducted prior to the cycle's final sessions, both Argerich and Kremer spoke of using the recording process to look for the unexpected. "It was an inspired idea to match (Argerich) against a violinist so unpredictable as she is herself," wrote Edward Greenfield in Gramophone, "for though there is nothing `safe' about these interpretations, and not everyone will respond to their sparkling, volatile qualities, the liveness of the experience is undeniable."
A superb collection of some of the greatest
performances of Richard Strauss's orchestral,
operatic, chamber and vocal works, brought
together in a stunning 35-CD edition of
fantastic value. The collection begins
with a survey of Strauss's orchestral music, including the supremely popular symphonic poems - Don Juan, Don Quixote, Also sprach Zarathustra, Till Eulenspiegel, Tod und Verklärung, Eine Alpensinfonie and Ein Heldenleben are included, together with comparatively rare orchestral works such as the wonderful Burlesque for piano and orchestra. These recordings, performed by the Staatskapelle Dresden and conducted by Rudolf Kempe, are a particular highlight of this box set,
some of the greatest recordings of the
classical catalogue. Alongside an extensive survey of Strauss's chamber music, performed by major international instrumentalists including Wolfgang Sawallisch (piano), Erno Sebestyen (violin), Wenn-Sinn Yang (cello) and the Sinnoffer Quartet, some of the definitive performances of Strauss's best-loved operas are also featured. In particular, Herbert von Karajan's Der Rosenkavalier remains unsurpassed. This comprehensive box set concludes with 3 CDs of Lieder, including the enduringly popular Vier letzte Lieder sung by
Charlotte Margiono and a disc of historical
recordings accompanied by Richard
Strauss on piano.
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